If there’s an engineering hierarchy of LED lighting, colour-mixing hard lights are at the top of it, combining all the difficulty of colour control with putting all the emitters in one place. For a ...

When we discuss colour in filmmaking, we're usually interested being – well – correct. But we might also talk about the steel blue of night, an amber sunset, or the greenish tinge that comes from ...

Recently I was asked to lecture at a college for a course in advanced cinematography. The professor asked that I include color theory in my lecture and at first, I was a little overwhelmed at the ...