Analyzing how David Suchet's 'The Au Pair' and Joanna Scanlan's 'Missed Call' came from Pernel Media, Samuel Kissous' French ...

Add Yahoo as a preferred source to see more of our stories on Google. Wilder than a Coen brothers movie, the sprawling true story behind Netflix’s new documentary mini-series “Cocaine Air: Smugglers” ...

Add Yahoo as a preferred source to see more of our stories on Google. Imax is embarking on its first-ever foreign-language documentary, partnering with Federation Studios and Imago Production on ...

Visions du Réel, one of Europe’s leading documentary film festivals, shines the spotlight on France this year, celebrating its deep-rooted documentary tradition powered by a robust public funding ...

Oscar-winning filmmaker Marcel Ophüls (1927-2025) has died, as reported by "The Guardian" among others. He was 97 years old. According to his grandson Andreas-Benjamin Seyfert, Ophüls "died peacefully ...

Sydney -- The French documentary Return to Babylon will be screened for Australian audiences at a cinema in Wetherill Park, Sydney, on Saturday evening, 23 August. Directed by French filmmaker ...

Marcel Ophuls, Oscar-winning director of "The Sorrow and the Pity," a landmark documentary exposing France’s WWII collaboration with Nazis, died aged 97, his family said Monday. Son of famed German ...

22/06/2023 - Production, funding and broadcasting in France and abroad: the French film centre unveils its annual report for the documentary genre at Sunny Side of The Doc The most significant ...

Welcome to Global Breakouts, Deadline’s strand in which, each fortnight, we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ...

Oscar-winning filmmaker Marcel Ophuls, who blew the lid off the myth that France resisted its World War II Nazi occupiers in "The Sorrow and the Pity", has died aged 97, his family said Monday. The ...

On the other hand, even though France Télévisions has increased the value of certain slots, as the budget remains constant, there is unfortunately less volume, and therefore fewer documentaries per ...